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Converse All Star Canvas Ox
Polo Ralph Laurenchest-pocket cotton T-shirtHighlightsbluecottonchest patch pocketcrew neckshort sleevesstraight hemCompositionCottonThe composition information is subject to the actual product. The product composition details of the spliced material will be split and displayed.Washing instructionsMachine WashThe washing method is subject to the commercial washing standardWearingThe model is 1.84 m wearing size LProduct IDsFARFETCH ID: 19760408Brand style ID: 710893442007
When Hun Kim first met Karl Lagerfeld roughly a decade ago, he was astonished by the German designer’s ramrod posture, which he attributed partly to the 7-centimeter height of his shirt collar. “It really changes your attitude,” remarked Kim, design director of the Karl Lagerfeld brand. “Every time I met him, he was perfect.” As design director of the house that Lagerfeld built, Kim continues to draw inspiration from the late designer’s graphic style of dressing, immortalized on a “wall of Karl” photos in his Amsterdam studio. For example, he plucked a shimmering tweed texture worn by Lagerfeld for a handsome pantsuit with satin lapels, and a mannish topcoat with a double-layer appearance for the fall 2025 collection, which skews dressy. You could imagine both worn today by American writer, humorist and “Pretend It’s a City” star Fran Lebowitz, a kindred spirit and buddy of Lagerfeld’s since the ’80s. Hun played with white shirts — this time with a normal-sized collar but an outsized bow — as well as elements from tuxedos, including cummerbunds, which extended into a big bow on a slim skirt, and peak lapels, the main feature of a sleeveless jumpsuit with a corset waist. You May Also Like Tailoring tinged with a rock ‘n’ roll edge was how Lagerfeld rolled: hence the oversize or off-the-shoulder biker jackets, the broad-shouldered jackets whittled down to a small waist via seaming, and the drama of eco shearling puffers, sleeveless tops and a handbag designed like a pillow cushion, and resembling a mop-haired dog when tucked under the arm. Kim seems to be applying more of his own signatures to the brand, but based on a deep understanding of Lagerfeld’s design ideas and values: How a big button can be as beautiful as a brooch; how a KL monogram finishes off a handbag just so, and how his slogans, know as Karl-isms, look cool on the brand’s workwear-leaning jeans line. “I’m living my memoir, I don’t need to write it,” read one.
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